How to Play Marching Tenor Drums, part 6 of 7: Cool Stuff You Should Know

When I released the first video in this marching tenor drums series, I gave a broad overview of what each video would cover.  I listed video #6 as “Essential Vocabulary.”  But honestly, doesn’t “Cool Stuff You Should Know” have a better ring to it?  Either way, this lesson covers the essential tenor vocabulary not previously covered.  After watching this, you will Read more “How to Play Marching Tenor Drums, part 6 of 7: Cool Stuff You Should Know”

How to Play Marching Tenor Drums, Part 5 of 7: Sweeps & Scrapes

It’s time to work on sweeps and scrapes! Check out the newest video:

 

Sweeps, scrapes, split doubles–whatever you prefer to call them, this video breaks them down in detail.  You’ll find a lot here. Learn the differences between adjacent sweeps, non-adjacent sweeps, spock sweeps, outward sweeps, inward sweeps, and push-pull sweeps.  A full transcript of the video is below, along with links to the solos mentioned.

I would really, really like to hear your feedback on this particular video.  I think the terminology descriptions have the potential to revolutionize the Read more “How to Play Marching Tenor Drums, Part 5 of 7: Sweeps & Scrapes”

How to Play 24th Notes, 40th Notes, and More!


 

Do you know how to count 24th notes, 40th notes, or 48th notes? James walks you through some terminology that may just revolutionize your understanding of rhythm.  The following is a modified transcript of the video above:

 

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Hello, everybody. This is James Christian with RudimentalUniversity.com.

Today I want to talk about rhythm terminology. Most musicians don’t frequently deal with this particular concept I’m going to discuss, but drummers and percussionists deal with it all the time.

We’re used to whole notes, half notes, quarter, notes, 8th notes, 16th notes, etc.  And we also have tuplet patterns, such as half note triplets, quarter note triplets, 8th note triplets, 16th note triplets, and so forth. In this article, I’m going to talk about the way we discuss tuplet patterns and how we can make it a little bit easier.

This method is especially easier when you’re writing on the Internet and typing.  It also makes your terminology more consistent, regardless of the type of note you’re discussing. When you’re writing, this method will save space, and it’s just a nice shorthand for your terminology.

So here it is… Read more “How to Play 24th Notes, 40th Notes, and More!”

Multi-Tenors Exercise: A.N.S. Sweeps

Five-Drum Version

tenors-0002-ans-sweep-patterns-5-drums

Six-Drum Version

tenors-0002-ans-sweep-patterns-6-drums-1tenors-0002-ans-sweep-patterns-6-drums-2

To view the exercise, click on the images to enlarge.  To download in PDF format, click here for the five-drum version, and click here for the six-drum version.


This exercise is written for either a five-drum setup or a six-drum setup.  While the six-drum setup obviously has more options, the fundamental skills covered are about the same.

As the title indicates, this exercise focuses on sweep patterns.  A sweep is a double stroke split among two different drums.  The “A.N.S.” in the title stands for Adjacent Sweeps, Non-Adjacent Sweeps, and Spock Sweeps.

Adjacent sweeps are sweeps between two drums right next to each other.  On the basic quad setup, this would cover sweeps between drums 2 & 4, 1 & 2, and 1 & 3.  For a six-drum setup, this would also include the two spock drums.

Non-adjacent sweeps are sweeps between two drums not next to each other.  On the basic quad setup, this would cover sweeps between drums 1 & 4, 2 & 3, and 3 & 4.  (On the six-drum version of this exercise, I went ahead and included drum 4 to the farthest spock drum and drum 3 to the farthest spock drum.  Technically, these would fall under what I call “spock sweeps,” but the movements are similar to non-adjacent sweeps, so they work here.  These sweeps are somewhat of a gray area.)  These sweeps require a farther reach than adjacent sweeps, and they are more difficult to play fast.  When playing this exercise, feel free to take this section slower if needed.

Spock sweeps require a different type of movement than adjacent or non-adjacent sweeps.  As the name indicates, these cover any sweeps utilizing the spock drum(s).  When sweeping between the spock drum and drums 1 or 2, you must use a push-pull motion.  This is quite difficult to play fast.  Feel free to adjust the tempo on this section as well.

When it comes to tempo, take each section as fast as you can comfortably play it.  Of course, you should initially start slowly to focus on your technique and accuracy.  Once you have a solid foundation, you can start speeding it up.  As always, focus on accuracy and great sound quality.  If you keep hitting rims, slow down a little bit and reassess your aiming spot.

The odd-metered measures are intended to provide a little rhythmic interest between the sweep patterns.  Focus on playing the 16th notes with steady time.

If you can play through this exercise smoothly, you will have a pretty solid grasp on all of the sweep combinations!